Star Trek Fan Club Meeting 1978

March 10, 2010 – 3:50 pm
Star Trek and Star Wars fan club meeting, 1978. Telegram-Tribune Photo by Thom Halls

Star Trek and Star Wars fan club meeting, 1978. Telegram-Tribune Photo by Thom Halls

The pitch to studio executives was a “Wagon Train to the Stars.”
No, no, no, NO, not Hollywood stars, stay with me.
Cue the music, Ba Ba BA – Ba BA BA BA BA
“Space, the final frontier…”
It’s a hit baby, I smell franchise.
Uh, not quite.
Though it would eventually produce more hours of science fiction programming than any other, the Star Trek project struggled at the beginning.
The show did not fit neatly with the other shows produced by Desilu Productions. The company was formed by Desi Arnaz and his one time wife, Lucille Ball and produced Lucy’s shows as well as “Mission Impossible” and “The Untouchables”.
NBC Network executives were indifferent to the 1964 pilot. Back then networks had enough money to commission a movie, called a pilot, to see if they wanted to pick up a show.
The network did fork over enough money to produce an unprecedented second pilot. Characters were reworked and recast and this time the show was picked up.
The first series episode aired Sept 8, 1966.
The show struggled to find an audience. The cast was interracial, inter-species and intergalactic. Setting the show in the future allowed the audience to imagine that folks on Earth could get past their petty differences with each other and turn their photon torpedoes on a more deserving target, say the Romulans.
1978-2-16-star-trekThe distance in time and space allowed the show to address troubling issues of the era. Race relations, mutually assured destruction, doomsday weapons, understanding other cultures were all story lines, while leaving William Shatner enough time to rip his shirt and hit on space babes.
The show had an underlying set of rules that guided writers. There was the explicit “Prime Directive” and the unwritten rule that guys in the red uniforms die in an opening sequence.
The people that hate the show pick on Shatner’s acting or the formula joke to ease the tension just before the credits roll.
Others can’t stand the early cheesy special effects or humanistic tone.
Those who fell in love with the show loved the characters,  obsess about the rules and enjoy that a show can ask big existential questions within a comfortable framework.
People love it or hate it but it moved the genre into new territory. Compare it to the campy 1965 offering “Lost in Space” or earlier “Buck Rogers” serials.
Trek was an expensive show to produce. The makeup, costuming, set and special effects required would have been a hard for a movie, this was weekly television.
One story I read about was the director who was frustrated when his plant wrangler brought in ordinary plants to populate an exotic planet set. He yanked the shrub out of the pot and dropped it back in upside down, roots dangling in the air. He said words to the effect of “This is what I am looking for.”
A fan driven letter writing campaign kept the show from being canceled after two seasons but three seasons later it was over after 80 episodes.
The fan base grew in syndication.

I remember shopping at Sears with my dad and a wall of television screens showing a lizard-man stalking Captian Kirk across the rocks. I remember thinking, the plastic reptile head and glitter eyes were not real, yet still being oddly terrified by it.

The show spawned a legion of fans and now bloggers with specific concerns.
Actual current topics from the IMDB message board.

“I have a question about Kirk’s Uniforms.”
“At what point does the Prime Directive come in?”
“Why do the Klingons in this movie look so different from the Klingons from the original series?”
“What’s the best way to get your girlfriend into Star Trek?”

The answer to the last question is: “Have her marry the creator, Gene Roddenberry.”
His wife Majel Barrett-Roddenberry participated in every production including the 1964 pilot, until her death in 2008. Among other characters she played the pilot’s first officer “Number One”, “Nurse Christine Chapel” and the voice of the computer.

Oh, I think he meant, “How do I get my girlfriend to like Star Trek?”
Can’t help you with that buddy. My wife says “Auugggg keep going!” every time the clicker lands on an old episode. One message board trekkie offers operant conditioning advice by giving back-rubs to his sweetie while watching an episode. I suspect I would develop thumbs the size of hams taking this route.

Another trekkie laments that it has been seven long lonely years.

George Lucas proved that a science fiction movie could look great and make a pile of money with his 1977 film Star Wars.

Fans of Star Trek took hope, wrote letters, organized festivals. The show grew its audience with incessant syndicated reruns who grew tired of the same 80 stories and the final frontier was entered again. The franchise, grounded for a decade,  took flight in 1979 with a motion picture. Later movies and television series would follow.

I could not find the article to go with these images labeled “Star Trek Fan Club” from February 8, 1978 by Thom Halls. A few Star Wars fans were allowed in. Apparently the article ran on a different Star Date than it was shot.

Beam me up Scotty.


Captain Buffoon, mornings on KSLY

March 8, 2010 – 2:25 pm
From his environment of record albums and tape cartridges, Captain Buffoon welcomes the world with craziness. ©Thom Halls/Telegram-Tribune

From his environment of record albums and tape cartridges, Captain Buffoon welcomes the world with craziness. ©Thom Halls/Telegram-Tribune

Radio used to be entertaining. Decades ago it was local and staffed with real humans, the playlist was broader than the same 50 songs you have heard since for the last 30 years. There was room for surprise.
Today most of the stuff that sprays over the airwaves is the sonic equivalent of cheese whiz.

That’s OK. We no longer have to call the station to hear a favorite tune, our phones hold music libraries that put the automated-airwave zombies to shame.

Back when KSLY was an AM station they had a morning DJ that worked under the moniker Captain Buffoon. Most syndicated morning drive shows have a zoo full of personalities and guests to carry the show but Harry May, was pretty much on his own. I lived in several radio markets growing up and when we would to SLO on a family visit I would check out. You could count on Buffoon to take a risk and poke fun at what was going on in the region.  Tours of Gum Alley, mock shower interviews, the latest song parody from Cal Poly student Weird Al. If it got a laugh, or groan it was on the air.

A couple of postings from former employees reveal a strong sense of nostalgia for that time. One story by Richard Wayman (AKA Ric Stratton) about the station mascot Sly remembers the cat sleeping atop the warm cart [tape] player. One day it jammed and the DJ had to keep album cuts spinning until the technician fixed it, removing handfuls of orange hair from the machine. It is a longer story, here is the link then search the page for KSLY to find it.

The zaniness spilled over to the pages of the then Telegram-Tribune arts section then called Focus.

1977-4-2-buffoonPublished April 2, 1977

Captain Buffoon tells all
… but his name

Story by Mike Harris
Photos by Thom Halls

First the bad news:
This article will not reveal the true identity of Captain Buffoon, the racous-voiced star disc jockey at KSLY Radio in San Luis Obispo.
The Telegram-Tribune was permitted to interview Buffoon — a.k.a. “CB,” the “Fearless Bionic Nose” and Funny Crummy Dummy” — only on condition that his real name remain confidential.
A breach of faith, Buffoon warned last week in his famous shower stall at KSLY Studios on South Higuera Street, would result in this reporter being cursed by Mary McGregor’s “Torn Between Two Lovers” replaying endlessly in his dreams.
The public, however, should be assured that the T-T does know who Buffoon is. We just aren’t telling. Appropriate documentation has been stored in a ground-squirrel hole at Fort Hunter Liggett, available only for a Grand Jury subpoena.
Now the good news:
This ace of the airwaves has graciously consented to reveal biographical data hitherto unavailable to the print media.
“I come from the planet Buffoonia, where the people live on jokes,” says the curly-haired 30-year-old behind the microphone. “But I was born just a nose. I had no mouth to laugh with.
“So they sent me to Earth in a rocket ship, and every morning I took a secret potion — coffee — and turned into… CAPTAIN BUFFOON!”
This transformation, of course, took time. One of the intermediate stages saw Buffoon, still nose-heavy but sporting a fine rich baritone, as an art major at Cal State Northridge.
“I could draw,” he says, “But competition was fierce among art majors there, and I guess I as still looking for something I could really get into. I’d beeen involved in advertising as an artist, so I shifted over into journalism.
“It was an accident, actually, how I got into broadcasting. A guy from the school station was looking for people with deeper-than-average voices — which I had— and I tried it and liked it, though there it was strictly formula stuff.”
After receiving his degree in mass communications, the ex-space traveler saw a lot of the Earth’s surface in the next seven years, working at radio stations in Burbank, Santa Barbara, Santa Monica and Thousand Oaks before stints at KATY and KSLY in “SLOtown.”
However, he couldn’t help giving out hints of his extraterrestrial origin.
“I always wanted to do wild, crazy things,” he says, “and I got fired a couple of times because of it. One of the things I wanted too do was create a character, and when I was at KATY I finally said to myself, ‘Self, it’s time you made a move.’”
Why Captain Buffooon?
“It’s a kind of superhero name, but with a twist, because the dictionary says a buffoon is a guy who tries to tell jokes and fails or he tells bad jokes.”
Was it hard to do?
“I’d been in radio five years then, which really wasn’t much experience to create a character. In broadcasting, I think, first you’re yourself, then you spend 10 years learning to be an announcer — the deep voice, and all that. And then finally you become yourself again.
“It’s like that with a character, too. At first there are two people — yourself and the character. I hear myself  projecting this raunchy image, and I think, ‘That’s not me.’ But the two grow together.”
The character of Captain Buffoon became fully fleshed out when our mystery man joined KSLY — a station, he says, where the management is young, morale is good, and he’s “backed up 100 percent” in what he does.
San Luis Obispo commuters who flick on their car radios between 6 and 10 a.m. Monday through Saturday are familiar with his brand of buffoonery:
The Showers, usually with a giggly female. The Insult Contests. The All-knowing Wizard answering movie trivia questions. The now-defunct Obscene Phone Calls. The voices in the background that groan, hiss and laugh. The barrage of jokes between Top-40 songs. The exchanges with announcer Fred (”…and the news”) Peterson and fellow disc jockey Guy Paul.
But how does he do it?
The mechanics are comprehensible to anyone with a Ph.D. in electronics. Buffoon sits in a sunny office with a view of a green hillside, a fence and horse through the window. An orange cat named Sly curls up on a table. Posters cover the  walls and ceiling — Farrah Fawcett-Majors prominent, the psychedelic covers of rock albums a maze of color.
He’s alone with revolving drums of tape cassettes — “carts” in the trade — that he plugs and removes in rapid succession: records, commercials, public interest announcements, those shrieks of “Buffoon, lyou have a big, big, big, big…NOSE!”
He’s alone — this is important— in a world of dials and switches and steel cabinets and split-second timing, speaking to thousands of listeners invisible in their kitchens and cars.
“I always try to relate one-to-one with my audience,” he says. “That works better. But sometimes even the best of us start talking into the microphone, and we get a call from somebody who’s upset and say, ‘Hey, there are people out there. We’d better watch it.’”
The voice on the radio — dripping with lechery, tweaking the udders of sacred cows, implying that its owner is fortyish and fat — is only part of the story.
The real Buffoon is hip, slender, dedicated to his craft and capable of functioning on several levels at once.
Six days a week he’s up at 4:30 a.m., at the studio at 5:30, in cheerful, abrasive form for four hours, and then deep into preparations for the next day’s show.
Every radio station, he explains, has a format that determines when news, music and commercials should fit in.
“The rest of the time — and it’s a lot — I’m supposed to entertain.”
He estimates he spends two hours preparing for every four hours on the air. Some of the jokes he writes himself; others come from writers who supply him with humor for a fee. The voices and sound effects were taped with the aid of friends, some of them disc jockeys on other stations.
“A comedian can do the same monologue every night and get rich,” he says, “but a disc jockey has to be just as good, with completely new material, six days a week. That’s a lot of jokes.”
Even for a high-energy person who enjoys the work— As Buffoon says he does — It can be exhausting.
“Most of the so-called glamor jobs are like that — long hours,” he says. “I’m a bachelor, and that has its disadvantages. Married people don’t understand when I say I’ve got to take time out to do my laundry.”
“Yet I wouldn’t want a woman just to take care of me, so maybe that’s why I’ve never married.
“Sure, I’ve got girlfriends, but not many want to go home at 8 p.m., which is what I have to do. Besides, most people think a radio star has to go out all the time, drive a sports car, and that’s not me.”
Buffoon prefers to spend his evenings with a few good friends. He soaks in hot tubs, plays racquetball and tennis, wishes he still painted (it’s great relaxation and therapy, but I just don’t do it”), and works on his car — the “Buick Roadapple” he mentions on his show.
And revs up for the next morning, to the delight —and sometimes the consternation — of Buffoonians everywhere.1977-4-2-Cpt-buffon


Charlie Daniels at the Fair

March 5, 2010 – 10:02 pm

1982-8-8-charlie-daniels

Not many 73-year-olds can steal the spotlight from a cute animated gecko. Charlie Daniels has been on the national stage for a long time. His first self titled album was on Capitol Records in 1970 and according to his website that was over 50 albums or video releases ago.  He was in the first wave of southern rock that brought Marshall Tucker, Lynyrd Skynyrd and the Allman Brothers to the national attention.
His career began even earlier with stretches in various bands in the 1950s and a stint as a producer, writer and session player in the 1960s. Bob Dylan’s Nashville Skyline? He was on it. Daniels co-wrote the B-side of  the Elvis Presley single “Kissin Cousins” titled “It Hurts Me”.
His web page lists over 60 tour dates for 2010, one can only wish to have as much energy at age 73.

Daniels-1He had no gray hair in 1982 when he played at the Mid-State Fair. The fair had come a long way toward booking acts that were still popular. Less than 20 years earlier the fair was a 5 day event with folks you probably never heard of.
The 1963 opening day featured Bernie Nattell at the organ and The Flying Wards, aerialists. On the grandstand were Eddie Dean, Western B-movie and singing star with the Frontiersmen and Joanie, the Hollywood Square Dancers, acrobatic dancer Betty Gromer, ventriloquist Bob Bellamy and The Acrobatic Kramers.
Who?
Over the next few months a few posts a month will feature entertainers who have performed in the area.

Story and photo by staff writer Dan Stephens
August 9, 1982

Fans danced in the aisles as Charlie sang

The Charlie Daniels’ fair performances on Sunday were more barn dances than concerts.
His fiery fiddlin’ and homespun lyrics and the near-capacity crowd breading loose, as fans danced in the aisles and kicked up enough dust to hamper breathing and cloud the view.
But no one was upset by the smoke-screen. It just added to the magic of the concert.
“It’s common place,” Daniels said in a backstage interview after the first performance.
“Crowds pretty much react the same every night.”
After getting off to a slow start, Daniels finally cranked up his fiddle for “The Devil Went Down to Georgia” about half way through the concert.
That started the crowd dancing, as a few souls began twirling and hoe-downing, risking personal injury as fans shouted, “Down in front.”
But a short time later, more dancers joined in and the entire infield turned into a squirming dustbowl.
“That’s why we’re on stage, for the people,” Daniels said.
“If they can go home knowing they’ve been entertained, that’s the kind of audience we’re looking for.”
Another song that worked up the crowd, particularly Vietnam veterans, was “Still in Saigon,” which walks a fine line between patriotism and criticism.
Daniels says the song is truth and it’s patriotic, even though it’s far from a flag-waving and apple pie song.
“I feel patriotic about the good things in America, and I feel patriotic about the bad things,” Daniels said.
“But I love this country because no where else compares to it. Just because there are a few things wrong, doesn’t mean we have to change everything,” he said.
Fans must like Daniels way of singing the truth while he walks that fine line.
After the stands emptied and the dust cleared one fair official said that “In the 12 years that I have worked on the entertainment side of the fair, I’ve never seen a concert like this.”


Cool, Comfortable and Correct-the No Iron Leisure Suit

March 4, 2010 – 1:42 am

1976-6-5-leisure-suitName one good fashion trend of the 1970s.
Take your time.
Still having trouble?
It was the era of Bianca Jagger, Jimmy Carter, and David Bowie.
Starting to come back now? Platform shoes, big hair, glitter and the leisure suit.
Oops, forgot we were looking for good fashion trends.

While you are thinking it over let’s examine the copy for an ad that ran in  the fashion trend setter, Family Weekly June 5, 1976.

Sporting a relaxed “Hey baby, come here often?” smile the fashion hero is ready for action in Haband’s Cool Comfortable and Correct NO IRON LEISURE SUIT.
(Fashion faux pas alert, the model is NOT wearing a mood ring or gold chain with a zodiac sign around his neck.)
For just under $30 you get the jacket, slacks AND color matching belt! If you don’t like the outfit keep the belt and return the suit and slacks for full refund.
Check out the details, wide rolling resort collar, extra-wide tunnel belt loops, wash and wear and not to mention great colors like Lt. Blue, Maize and Wine.
The 100% polyester construction insures that this suit will still be wearable when archeologists unearth it for the Quadracentennial in 2176.
Quoting from the ad:

You go to nice places. You enjoy escorting your well-dressed wife. Yet wherever you go, you see big spending sportsmen, celebrities and country-clubbers wearing the lighter, livelier summer colors that seem to be reserved for high priced clothes!
Nuts to that!

That’s what I need today, millionaire row fashion, with uncommon extra styling for under 30 bucks.

Where’s my debit card? What? They only take checks? That’s old school.

OK, time’s up what was your favorite 1970’s fashion?


Reading Skills

March 2, 2010 – 2:51 pm
San Miguel third grader Danny Roetteger, above, feels sounds as he speaks syllables, assisted by a volunteer teacher's aide, Lois Arnett.

San Miguel third grader Danny Roetteger, above, feels sounds as he speaks syllables, assisted by a volunteer teacher's aide, Lois Arnett.

When was the last time you saw this help wanted ad?

“Ideal candidate will be functionally illiterate and unable to learn. Salary commensurate with lack of skills.”

If you just read it, you don’t qualify.

The only growth industry that illiteracy contributes to are prisons. Many inmates have trouble reading.

We can all agree that a primary goal of public education is to teach our children to read.

As I write this post my assignment schedule includes a trip to a meeting at Paso Robles School District office where more teacher layoffs will be discussed. Paso is not alone as funding shrinks across the state. One administrator said, during his career per pupil funding in California has plummeted from the top ten list to the bottom 3 in America. In the Paso Robles district the next year’s shortfall is in the neighborhood of $1,500 per student.

The concept presented was, the district can’t balance the budget by buying cheaper crayons. Staff cuts will be the result of less money from Sacramento. He expects within the next few years the nation’s wealthiest state will be dead last in funding the future of young students.

Reading is more important than ever as the job market evolves.

There is an art to finding out the best way to feed information to young learners. Not every student learns the same way. Those early years are a critical skill building time for young students. Often the first two or three years can smooth the path for future learning or leave boulders in the road. In some districts reading intervention programs are now in the budget cross-hairs, in other districts they have already been cut.

Turn the clock back about 40 years and it was a more optimistic time in the educational world. Research was helping refine teaching methods, especially for children who did not catch the first wave and were starting to fall behind. Today there are a variety of reading  programs that districts can use to help get kids up to grade level.

Vera McKanna, second grade teacher, works with Chito Cisneros in a group session at Lillian Larsen School to improve reading skills in San Miguel.

Vera McKanna, second grade teacher, works with Chito Cisneros in a group session at Lillian Larsen School to improve reading skills in San Miguel.

The Lindamood-Bell learning process was founded in 1986 by Patricia Lindamood and Nanci Bell according to their website. Today they offer tutoring programs including math and reading.

According to daughter Phillis Lindamood the program grew out of research her parents did, like subject of this article from the early 1970’s.

February 7, 1972

Schools
Reading skills concern San Miguel

Linnea Waltz
Family Editor

Trustees of the San Miguel Unified Elementary School district look to the future.
They want the children in their school district to be able to read, to understand what they are reading, and pronounce and write the the words correctly.
A year ago in January, with this in mind, they approved the introduction of the ADD, or Auditory Discrimination In Depth program, to supply the basics for the district’s special reading network.
Glen, Rose, district superintendent and principal at Lilian Larsen Elementary School in San Miguel, described ADD as “a preparatory program of auditory perception, basic to reading. spelling and speech skills, and complementary to any reading program.”
ADD is funded through Title I of the Elementary and Secondary Act, a federal project for students from low income and from culturally or educationally disadvantaged families.
“San Miguel began ADD in mid-year,” Rose said, “and the program last year consisted of three teacher aides working with children in grades one through eight.
“Students left their classrooms and went to teacher aides for 20-minute periods each day. We tried to get the children in pairs, two at a time for each aide for the period. Then we took in two more for the next 20 minutes. This way we were able to serve some 60 children from January until June.”
During these periods, the aides worked with the children using ADD.
The innovative method was authored by Charles and Linda Lindamood of Arroyo Grande, and now is in use nationwide in many school districts.
Lindamood is a language instructor at Cal Poly, and his wife conducts a private practice in reading assistance.
The ADD program develops in students an understanding of the basic concepts of the sound structure of the language; the ability to discriminate likenesses and difference between speech sounds, both individually and in sequences; perception of the order of sounds in sequences and the shifts and changes of sounds within patterns, or syllables and words; and judgment of the correspondence between oral, or spoken patterns and the graphic symbol, or written patterns which are used to represent them.
“If a student doesn’t grasp the relation of letters to sounds, then he has a difficult time relating speech sounds when these sounds are spoken in both non-syllabic and syllabic units,” Mrs. Lindamood said.
“For instance, lets use the word ‘pat.’ its pattern of sounds are puh-aa-tuh. Unless the child understands these codes how will he be able to pronounce a word with the exact sounds but in a different sequence, such as ‘apt’?
“He must be able to perceive, through sensory cues from his ears, eyes, and mouth,, and identify the re-arrangement of the sounds from ‘pat’ to ‘apt.’
“Then he is able to see that, when we spell and read words, we are just using letters to show this changing relationship of sounds.”
Some kindergarten children, before they are exposed to reading and spelling, can judge these syllable contrasts, and their sensory system already has picked up these judgments she said.
Studies made by the Lindamoods showed however, that not all children do this.
In the past, we assumed that all children did, but after making out study, we found that some children are unable to obtain the sound-sight relationship by themselves,” she said.
“They tried to do it by memory, instead, which means that the child is unable to develop to his full potential because the memory task is too big.”
Now Jimmy and Mary, who might be anywhere from 4 to 40 years of age, have the opportunity to reach their full reading development, after their reading problems have received attention.
Rose stressed that ADD “is not a reading program, in the sense that you would use instead of some other reading program. ADD is a basic; it helps the child to learn what he is supposed to do in order to understand what his eye sees and what he writes.”
When ADD began last year, the entire student body of Lillian Larson School was given the LACT or Lindamood Auditory Conceptualization Test, to determine how well each student was able to distinguish individual sounds one from another and in sequence, and sounds within a syllabic pattern.
Records for each student were kept, and a group screened out and assigned to the ADD program with three teacher aides, as explained above. At the end of the school year the group again took the LACT, along with the rest of the student body.
The district reviewed the program last summer and the success of the children in the program, based on the test results.

Teacher Janet Johnston, at left, helps Craig Rambo, fourth grade student, write syllables in order to note differences when reading the printed word as well as speaking it. Use of volunteer teacher's aides at San Miguel allows classroom teacher more time to give individual assistance to students.

Teacher Janet Johnston, at left, helps Craig Rambo, fourth grade student, write syllables in order to note differences when reading the printed word as well as speaking it. Use of volunteer teacher's aides at San Miguel allows classroom teacher more time to give individual assistance to students.

“The group in the ADD program was tremendously improved,’ Rose said. “In every case, even those substantially below their grade level at the start, came up at least two grade levels, and many even more, as a result of the program.”
This sold the trustees on ADD, and they approved for the hiring of a fulltime teacher for the staff to continue the work along with a fulltime teacher aide.
Mrs. Pat Whaley is the teacher in charge, serving he children under the Title I federal funding.
In addition the classroom teacher at Lillian Larsen uses the same instruction in her classroom.
“So that teachers could do this, we have instituted a volunteer teacher’s aide idea,” Rose said, “and it is working out very well.”
The aides free the teachers, who then can give individual attention to the students needing it during the regular school hours.
Teachers included in the volunteer aide project are Mrs. Vera McKanna, second grade; Miss Shirley Lusby, third grade; and Mrs Janet Johnston, fourth grade.
The volunteer aides are Mmes. Lynn Schmitz, Lois Arnett, Hilda Hampton, and Pat Powel. The four women have no children in the school in the Title I program, but are volunteering their time to help all of these students.
“In fact, Mrs. Powel is not a parent at all,” Rose said.
“Her husband and those three of the aides are stationed at Camp Roberts. Mrs. Schmitz is the only local mother of the group.”
These aides work directly in the classroom. While the teacher is working with a small group of five or six students, assisting them with reading problems, the aide is helping the remainder of the class with regular school work.
Equipment used in the reading program includes the regular state-adopted text books for each grade level, Rose said.
This is supplemented by the material used in ADD, plus teacher-constructed materials.
Mrs. Lindamood and her husband have learned through their extensive research and studies, that all students who have received ADD have been helped by it.
“We’ve had no instance where the program has failed to raise reading ability, even when youngsters who previously had been given up as hopeless,” she said.
“A teacher is able to raise the average child’s reading ability by three or four grade levels. In one instance we had a student go up seven years in grade level.”
The Lindamoods believe that everyone has the right to read, and that millions of dollars are being poured into the development of reading programs.
“It will be very singular if further research reveals the problem is not which reading program to use, but whether the student or the adult, has a perceptual base from which to relate to any reading program,” she said.
Preventative training at the kindergarten level might be the key to the adult’s reaching his full potential of mental and spiritual development.
San Miguel is going to find out.

The photos were unbylined.

Full disclosure: I have vested interests in this story. Literate people are more likely to buy a newspaper. In addition my wife is a second generation teacher. We both earn our living based on how much society values reading.

Yet even if you don’t have a paycheck related to education you have a vested interest in making sure kids can read. Becoming a productive member of modern society requires the ability to constantly grow skills over the course of a lifetime. We can teach kids how to learn, or we can deal with the more expensive social ills of having a pool of poorly equipped adults.

“You can pay me now or pay me later,” as the old ad used to say.

Much of America’s success in the 20th century can be traced to a population that had a solid public education. Nations like India, Ireland and China have recognized this connection and made education a priority.  They have seen economic improvements and growing hope for their citizens.
We are no longer competing with a school house down the road, the game is now international. Will we be ready to play?
Post a comment with your opinion.


Cuesta Grade horse and buggy rollover

February 27, 2010 – 1:01 am

1907-01-05-cuesta-accidentJanuary 5, 1907

Cuesta Grade accidents have been front page news since the days of horse and buggy.

A NARROW ESCAPE
H.E. Smith, Wife and Child Tipped Out

The Accident Occurred on the Cuesta Grade on Wednesday Afternoon

When Justice of the Peace-elect Harry E. Smith started out for a drive with his wife and little girl Wednesday last little did he realize the good fortune that was to shine on them that day. While descending the Cuesta grade the holdback on the harness broke thus allowing the buggy to run down upon the horse. Of course this frightened him and he immediately started running and kicking.
The grade at this place is very steep and dangerous, but Harry hung to the reins and did his best to stop the frightened animal.
But striking a little ditch in the road over went the buggy, turning one complete somerset and stopping directly on top of the frightened occupants.
Some men coming along the road just then rushed to their assistance and after getting everything straightened out the only damage found done to the buggy, which was badly broken up. It was a most miraculous escape for them and they are truly thankful for it.